New lens, new work, – “River at Hampton Court”

Hi everyone,

I took my new M.Zuiko 9-18 mm lens out for a test drive this morning. I’m very impressed with this little lens. Traveling lighter than light with just a camera body and this lens. Really enjoyed the freedom of just wandering around free of weight and encumbrance. Seems like an age since I’ve done a monochrome work. As promised –

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I’ll post more shots taken with this lens soon.

Kind regards

leigh sig 2

What do I need and don’t need from a camera?

Hi everyone,

I’ve recently started to think through again what I require from a camera system tailored for my interests, a system designed specifically for landscape/travel. Just about any decent camera and lens should deliver sharp, well exposed images and that, to me, is of paramount importance. Add to that that the camera and lenses should be well-constructed/reliable, small and lightweight as possible with good weatherproofing as I have to carry them pretty much everywhere on foot and that’s about it.

I’m not personally interested in shooting video at any resolution, 4K or otherwise, I don’tΒ  do fast action shots or use many of the numerous features available in a modern digital camera and that includes, perhaps surprisingly, the LCD screen. I guess that I’m old-fashioned as I come from a film camera background where many of the features weren’t even dreamed of at that time. The three greatest developments in camera technology for me have been fast, reliable auto focus,Β  improved metering and image stabilisation, everything else I can, and do, happily live without. I don’t in the least bit subscribe to the more and more mega-pixels makes better photos argument (although it most probably does sell cameras) unless perhaps one is shooting pictures destined to be displayed on advertising hoardings.Β πŸ™‚

I do sometimes however use the LCD screen when I’m using the camera with the rain cover fitted simply because it makes life easier but normally I leave it switched off to extend battery life and I use the electronic viewfinder which I just find more natural and, as someone who wears glasses for reading etc. and has to keep putting them on and off specifically to see the LCD screen clearly, particularly in bright sunlight it’s just totally impractical, by that time the shot has, like as not, gone. One thing I like about the fully articulating screen on my EM-5 mk2 is that one can turn it 180 degrees round so that the screen is facing inwards and thus completely protect the screen. Probably not what the designers envisaged lot’s of folks wanting to do, but I do it πŸ™‚

Now on to filters, put simply, I’ve given up on them as I simply don’t need them for more than the odd occasion and if I do then the only one that ever gets used is an ND filter, typically for its classic usage, to cut down the light and enable me to use a larger aperture/slower shutter speed where otherwise I couldn’t. I can do everything that I require and more in processing. Another thing that I don’t use is any form of in-camera effects, what Olympus call “Art filters”. If one applies them when shooting then one is stuck with them. I know I couldΒ  shoot one JPEG with filter and a RAW without the art filter but that’s just going to eat up space on my memory card.

I’ve never seen one of these effects that I like, and, to take a simple effect like sepia for example, why get stuck with their idea of a sepia tone when I can, if I wish, apply any number of sepia tones to an image if that’s what I want to do. My thinking is pretty straightforward, start with a sharp, well exposed image from there one can do whatever one likes in processing, one cannot undo what’s already been done.

One thing that I will habitually do is shoot more than one frame of a scene, that’s a great advantage of digital compared to film, one can shoot lots of frames and choose the one that one likes as, when you are somewhere travelling it makes sense to get as many shots as possible. I don’t use the LCD screen to keep checking my shots as I’ve seen others do, what I believe they call “CHIMPing”. πŸ™‚

I think that the biggest mistake that many folks make is the expectation that buying/upgrading to a more expensive camera will magically enable them to get better images. I recently spoke with a friend, who it turned out already had a pretty fully-specified camera who was seeking my advice as to what camera to upgrade to as he had his eye on an even more advanced model of camera. I asked him why and he said that fast moving objects were always coming out blurred. The take home message is investing some time and effort in learning to understand some very basic and time-honoured photographic principals such as setting shutter speed, aperture, light-metering and ISO etc. can and does pay dividends. By his own admission it turned out that he only ever used the so-called “auto” setting,

As I mentioned in a resent posting my travel camera gear including two camera bodies and four lenses weights in at approximately 1.7 Kg! :). In using the Olympus OM-D system I’m still sort of using my OM film cameras but with the advantages that advancements in digital technology have brought to the table but my basic philosophy and requirements haven’t really changed one bit.

By the way, I’ve just been doing a few test shots with my new M.Zuiko 9-18 mm lens and I’m looking forward to putting it properly through its paces, it’s so light and small, perfect!. πŸ™‚ Approximately 2 1/4 inches long without the back cap with a 52 mm filter thread. I’m waiting on a JJC lens hood for it which is, as usual, much cheaper than the Olympus one.

9-18mm for blog

Kind regards

leigh sig 2

 

 

 

 

 

New work: “Stuck in the middle” (without you)

Hi everyone,

Statue in the middle of the pond in Bushy Park.

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Best wishes,

leigh sig 2

Well, err, nearly :)

Hi everyone,

A friend of mine said “Why doesn’t your stuff look, well, err, “photographic”?” So I set to work on one and here’s one that does, well, err, nearly :). Incidentally this was shot on my M.Zuiko 40-150 mm lens on one of the rare occasions I’ve used it.

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All the best,

leigh sig 2

Great video

Hi everyone,

I came across this video, I think that this guy talks a lot of sense, I especially like his end comments.

Kind regards

leigh sig 2

For my next trip

Hi everyone,

I’ve been giving some consideration to what gear to take on my next trip. Currently my first choice for a travel camera is my OM-D E-M5 Mk2. I really enjoy using my OM-D E-M1 but it’s that bit too heavy for my liking as a travel camera. I lugged it up and down hills and all around the streets of Rome in the heat for a week and that proved the point to me.

Lens-wise I’ve decided to stick with zoom lenses and not take any of my prime lenses because one doesn’t miss shots and waste precious time constantly changing lenses, sometimes in inclement weather. As the vast majority of my shots are landscapes, both urban and rural, my main lens will, as always, be my M.Zuiko 12-40 mm PRO 2.8. This isn’t the lightest of my lenses by a margin but it’s a superb all-round lens with great build quality and matches their weatherproof bodies beautifully and, as such, it packs itself, if I had to take just one lens then this would be it. So far this lens has travelled with me to Malta, Rome, Brussels, Prague and Corfu as well as around the UK and has always performed excellently.

Seven of the eight shots on the left of my main page were taken with this lens, the odd one out being my shots from my trip to Liverpool where I took my 14-150 mm zoom lens.

m.zuiko lenses

I’ve decided that I’ve been missing an ultra-wide angle lens option and, after looking around, I’ve gone for an Olympus M.Zuiko 9-18 mm zoom lens. It’s a bit slow (f4/5.6) and not the widest of it’s type but it is, importantly, extremely small and lightweight and comes in at a good price, especially if you can find one second-hand πŸ™‚ and I think that it will be a useful addition for the outdoor landscape shots which are my principal interest.

I’m also packing my M.Zuiko 40-150 mm zoom lens as it is also very light (and equally slow) but I’m not anticipating that this focal length range will be extensively used as I carried my 14-150 mm around Rome and used it for relatively only a handful of shots but who knows what one might find, if i chose not to take one of these lenses to save weight it’d be this one for the above reason.Β  Where the 14-150 mm lens does come in very handy however is for-one camera-one-body type days out and it’s also has the advantage of, like the 12-40 mm lens, being weather-sealed.

I’m going to take my E-M5 Mk 1 body as a backup/second camera. I’ve been lucky to date when travelling and not had any equipment failures but, there’s always a first time.Β As always weight is a prime factor in my choice of what gear to pack and that is one of the main reasons that the Olympus Micro Four Thirds system remains my system of choice. You can expect to see some shots taken with the 9-18 mm in the near future when I’ve had the opportunity to take it out for a pre-trip test drive.

Additional: I’ve decided to pack my tiny Panasonic Lumix 12-32 mm lens as it only weighs 2 1/2 ounces and is a good backup for my most often used focal lengths. I’ve had some really good results with this lens. Total weight of the two camera bodies and four lenses approximately 1.7 Kg / 3.7 lbs, I had to double check this as it seemed wrong but it’s correct, amazing!!. To put this in perspective a popular make and model ofΒ  top of the range DSLR body with battery and memory card fitted weighs in at approximately 890 grams, add a backup camera body and a comparable selection of lenses and one is well over 1.7 Kg. Okay I guess if one is young and/or of an athletic build or being driven around all the time but I’m neither of those.

12-32 for blog

Kind regards

leigh sig 2

 

 

PS.Β  To help inform my decision making and as a matter of interest I thought I’d see which focal length(s) and also which lenses I’ve taken the most shots with so I used Lightroom’s smart collections feature to crunch the numbers. The focal length was a bit of a surprise as it turns out I’ve used 25 mm (50 mm in 35 mm film terms) the most, maybe not totally surprising as this was the first MFT lens that I bought and I have a soft spot for this focal length going right back to my film days, but nether the less I’d have thought thatΒ  wide angle focal lengths would have featured significantly higher up. As for my most used lens, no surprise at all it’s my trusty, much-travelled and much-loved M.Zuiko 12-40 mm. πŸ™‚ . As I expected my longer focal lengths, above 40 mm were well down in the numbers. As an aside, I also confirmed that the vast majority of my shots are taken at f5.6 which is the sweet spot for sharpness on most of my lenses. The irony in this being that my preferred style of painterly work isn’t meant to be biting sharp but one can always loose sharpness selectively, one can’t generally get it back if it’s not there to start with.

New work – “Deluge” – Brussels

Hi everyone,

Quite dramatic this one,

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Kind regards

leigh sig 2

The one that nearly got away, new work of the Piazza del Popolo, Rome

Hi everyone,

Looking back through my shots from Rome I found this one.

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Best wishes,

leigh sig 2

New work: “In my element”

Hi everyone,

I’m rarely happier than when wandering around a beautiful landscape with a camera, I guess you could say that I’m “in my element”.

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Best wishes,

leigh sig 2

Blog update

Hi everyone,

I’ve been giving my blog an early Spring clean up. I’ve added a “Selected Themed Collections” section to my site menu with links to the collections on my website. I’ve edited my “Flickr ExploredΒ Page” and made a few other graphical updates.

Kind regards to all,

leigh sig 2