“Closing in from the South”

Hi everyone,

Another new work.

Best wishes,

Leigh

Why do I shoot HDR?

Hi everyone,

One of the first things that I ever read about HDR was, “you can’t shoot HDR handheld, you have to have a tripod”. Well, when I read the words you can’t do something it immediately triggers the rebel without a cause “why the heck can’t you?” reflex in me. πŸ™‚ So, given that I have a real dislike of tripods, I though, let’s go out and try and since then it’s become pretty much a way of life. It took me a while to hone my technique and work out what works best but it can certainly be done.

First of all it’s not suited to fast moving objects so I wouldn’t try and photograph a high speed train or suchlike using HDR but otherwise it’s fine. What works for me is the following when shooting 5-frame HDRs at +/- 2EV with one +/- 1 EV brackets.

To avoid camera shake which, as you know, is going to ruin any shot HDR or otherwise, keep in mind what the slowest shutter speed is going to be when stopping down 2 stops. If absolutely necessary raise the ISO a bit. The opposite can rarely happen on a VERY bright day with the faster shutter speed exceeding the limits and an ND filter will fix it but it’s got to be more that 1/8000 or 1/16000 of a second depending on my camera choice for this to be a factor for me, maybe in the Sahara Desert but not very often in Northern Europe! πŸ™‚ . Keep as steady as possible between shots to facilitate good alignment of the images, if you can brace yourself do so. If you have a camera with REC view turn it off as it’s really disconcerting seeing the shots as they’re taken and completely mucks things up. I don’t photograph in artificial light and/or fast moving objects so I use the camera’s electronic shutter feature which is fine and it eliminates mechanical shutter wear especially as I shoot a lot of images. Set the camera’s bracketing mode to the desire number of brackets and the bracketing step and also turn on high-speed drive mode, silent shutter if possible. ,Lastly I use Skylum Software’s “Aurora 2019” the best HDR software that I’ve ever used and it does an absolutely fantastic job of assembling the frames, image alignment and anti-ghosting.

Here’s a scene I recently photographed, firstly the five frames taken and +/- 2 EV in 1 EV steps.

Here’s the first of these frames taken with no exposure compensation, straight out of camera with no processing.

Now an HDR of the 5 frames assembled in Aurora, again with no additional processing. This is much closer to what my eyes saw when taking the shot.

This is a starting point for me to process as the mood takes me. πŸ™‚ . So, if you haven’t already, go out and try it, you might be pleasantly surprised!.

Kind regards

Leigh

PS. If you have a look at my recent post “Bright and Cold”, the cars and the people walking down the road were all moving as were all the leaves on the trees in this one!.

“To infinity and beyond!”

Hi,

Another new work.

All the best,

Leigh

“Fenced off”

Hi everyone, another shot from yesterday.

Best wishes,

Leigh

“Bright and Cold”

Hi everyone,

“Bright and cold”. Bognor seafront, very cold wind coming from the sea but otherwise nice and sunny.

All the best,

Leigh

“Bognor” – Bognor Regis Landscape

Hi folks,

Taken with my EM-5 II and Lumix 20mm combination.

Kind regards

Leigh

“About as simple as it gets”

Hi everyone,

Monochrome landscape view from Bognor Regis Pier looking out to sea. Olympus E-M5 II and Lumix 20mm f/1.7

Best wishes,

Leigh

Going back to my roots.

Hi everyone,

Back in the 70’s when I got my first serious camera a 35mm Olympus OM-1 manual film camera with the then pretty much obligatory 50 mm f.1.8 lens the one thing that I remember above all is the fun of having a one camera one lens lightweight setup which felt so natural in one’s hand and was a joy to use. Sure over time I bought other and more specialised lenses as I have with my modern gear but there’s something liberating and fun about that kind of gear.

So, trying to dismiss any feelings of nostalgia and being objective, I’ve decided to do just that all over again with one of my favourite cameras and lenses , my Olympus OM-D E-M5 II and my Lumix 20 mm f/1.7 (40mm equivalent) lens. I will also take my tiny Lumix 14-42 mm II zoom, a very capable lens in it’s own right, as it weighs next to nothing at 3.9 ounces! (I love plastic) πŸ™‚ and it’s there if I feel that I need it but it is my intent to try and stick with the 20mm as much as possible. The other reason for taking the zoom is that, mobility-wise I cannot zoom with my feet like I used to and my opportunities to get out and take photographs have become quite rare and I really want to be covered if I’m somewhere when I need other focal lengths but not at the expense of lugging heavier gear around.

I know from years of experience that this focal length range feels the best and most natural for me with the sweet spot more or less right in the middle at about 20mm thus I almost certainly should be able to capture just about everything that I want. One thing is for sure it’ll be a lot of fun and, when it’s fun, it not only feels better but like as not ends up with some of my favourite “keeper” shots. Photography is as much about state of mind as it is anything else.

Kind regards,

Leigh

“Almost straight down the middle”

Hi,

“Almost straight down the middle” Shoreham-by-Sea landscape. Olympus E-PL8 and Lumix 14-42 mm II

Kind regards

Leigh

“To the sea”.

Hi everyone,

Another of my landscape shots of Shoreham-by-Sea, this one taken with my PEN E-PL8 and Lumix 14-42 mm II lens. Taken with my pistol grip/release held high over the Bridge barrier, 5-frame handheld HDR. A bit hit and miss in terms of seeing what I was framing, I’m no fan of LCDs but worked okay.

Best wishes,

Leigh